London Grammar Albums Ranked
London Grammar is an English indie pop band formed in Nottingham in 2009. The band consists of Hannah Reid, Dan Rothman, and Dominic ‘Dot’ Major. Their debut extended play, Metal & Dust, was released in February 2013 by Metal & Dust Recordings, while their debut album, If You Wait, was released in September 2013. The album reached number two on the UK Albums Chart and was certified double platinum by the British Phonographic Industry (BPI). The band’s second studio album, Truth Is a Beautiful Thing, was released in June 2017, peaking at number one on the UK Albums Chart. The latest album, Californian Soil was released on 16 April 2021 and became their second consecutive number one album in the United Kingdom. Here are all of London Grammar’s albums ranked.
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3. Californian Soil (2021)
“English indie trio London Grammar have spent the better part of a decade working with their signature blend of lushly produced, melancholic indie pop, dream pop and indietronica. It’s a formula they have stuck rigidly with, leaving their first two albums as pleasant listens but a bit overlong as the albums stay at a similar mood for upwards of an hour. On their third album “Californian Soil”, London Grammar perfect their formula and deliver it succinctly.”
2. Truth Is A Beautiful Thing (2017)
“Electronics and strings are used to create a warm atmosphere. Rooting for You is an unusual choice for an opener, because it starts with Hannah Reid’s a cappella voice with a lot of echo, like in a church. Then an electric piano and string orchestra set in. Big Picture is a break-up song to which producer Jon Hopkins added layers of sound. One pedal tone is repeated throughout the song. Oh Woman Oh Man is a sorrowful song inspired by a divorce. Her voice is beautiful, the textures rich and and the lyrics have a philosophical touch.”
1. If You Wait (2013)
“I expected something hipper, something more in your face but this is actually a very pleasant, jazzy, dreamy alt pop with smooth instrumentation and lush female vocals in the style of Florence and the Machine’s silken voiced singer. These songs are nocturnally inclined, meaning they are more listenable at night, preferably after a tiring day at work, as you’re on your way home, relaxing at the back of a cab, watching the city pass by.”