REVIEW: Dymer – ‘The End Is Always Nigh, The End Is Never Now’
Albuquerque’s Dymer have never been a band to play within neatly defined borders, and with ‘The End Is Always Nigh, The
Continue readingThe Best of New and Emerging Rock Music
Albuquerque’s Dymer have never been a band to play within neatly defined borders, and with ‘The End Is Always Nigh, The
Continue readingBaton Rouge’s fast-rising indie-psych outfit Blue Widow return with their boldest statement yet, ‘Free Money’, a snarling fusion of psychedelic surf punk
Continue readingWith raw honesty and biting lyrics, Sour Tongue deliver a relatable punch to the gut on new single ‘I Thought You Liked Me!’,
Continue readingNew York City’s Tabloid Nation crash through the noise with ‘They Never Told Us Why’, a debut album that fuses rust-belt
Continue readingBristol-based experimental indie outfit Venice Treacle have dropped their debut single ‘Fabada’, the first serving from their genre-defying EP ‘Modern Elixir’. Taking its name
Continue readingVeteran Danish rockers The Blue Van are gearing up to celebrate an incredible milestone, 30 years of friendship, music, and defiant creativity. Formed
Continue readingSinger and multi-instrumentalist Lauren Ash has released a blistering new cover of ‘The Scratch’, a visceral homage to the feminist punk energy that
Continue readingSouthern California trio exPorter return today with a blistering new single ‘Letting Go’, a two-minute burst of fuzzed-out catharsis that barrels through
Continue readingAfter years of shape-shifting through the sonic underground, genre-defying duo Red Axes return today with their latest single ‘Home “La La La”’, a
Continue readingIndustrial-electronic powerhouse Staytus returns with her most searing release yet: ‘Headache’. Produced by legendary engineer and producer Sean Beavan (Nine Inch Nails, Slayer), the track
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