Tchami Albums Ranked
Martin Joseph Léonard Bresso (born 12 May 1985), better known by his stage name Tchami is a French record producer and DJ from Paris. A founding member of the Pardon My French collective, he is best known for his solo work and regarded as a pioneer of the future house genre alongside Dutch DJs Oliver Heldens and Don Diablo. Tchami often performs with the persona of a priest and a church theme. He wears a clerical collar and includes visuals such as an altar and stained glass windows. In an interview he explained that “it is [his] message, being spiritual. I think my music is about that too.” Here are all of Tchami’s albums ranked.
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4. Revelations (2017)
“Extraordinary inventive electronic-pop-prog-rock-trance-dance music. One of the very few techno albums that one can actually enjoy at home. Even without drugs!”
3. No Redemption (2018)
“Kinda underwhelmed by this release, sadly. It starts out promising enough, the intro’s a pretty decent piece, albeit somewhat inconsequential as it doesn’t really relate to any of the following tracks. Summer ’99 and Kurupt are definitely the tracks to hear from this release, both are heavy, hard-hitting, groovy bass house bangers that would work extremely well on the dancefloor. Can’t say the same for the two following tracks however, it’s not that they’re bad tracks, the thing is they’re simply not engaging enough. As such the EP is a whole ends up feeling like a mixed bag, not a bad offering per se but not a particularly memorable one aside from a few key moments.”
See more: The Best Albums of 1991
3. Year Zero (2020)
“Good album, a nice mix of a few different kinds of House music, although my expectations were higher (especially before the Gunna collab).Still, the majority is at least solid, the basslines on the whole album are absolutely fantastic, and it definitely has a cohesive sound.”
1. After Life (2015)
:Featuring vocalist Stacy Barthe, After Life is a slow-builder, with rising synth and some very haunting, Nero-like vocals, before dropping into a typically fierce future-house banger, including his signature bouncing melody and synth stabs.”
