Zella Day Songs Ranked

Zella Day Kerr (born March 13, 1995) is an American singer, songwriter, and musician from Pinetop-Lakeside, Arizona. Day began recording music in her early teens, independently releasing her debut album, Powered by Love, in 2009. Following its success, Day worked as a songwriter for BMG Publishing Group and eventually landed a Hollywood Records artist deal. In 2015, Day released her major label debut, Kicker, which was preceded by singles “Hypnotic” and “East of Eden”. Day followed the release with promotional appearances for publications including Vogue, Playboy, and The Huffington Post, and on televised programs including Late Night with Seth Meyers and Conan. In 2016, Day performed at the Coachella Valley Music and Arts Festival. Raised in Arizona, Day was immersed in the café and art space her parents helped to create in their small mountain town of Pinetop-Lakeside. She was first encouraged by her mother to learn guitar as practical means for achieving a sustainable career as a musician. Her first songs, written soon after picking up the guitar at age 9, took influence from the classic singer-songwriter records of her parents and the mystique of the rugged desert landscape around her. Here are all of Zella Day songs ranked.

Don’t miss out the music of Zella Day. Click below and listen to the songs that a lot of people love!

10. Mustang Kids (Kicker, 2015)

“This was my favorite song off the album, and the song is so empowering. I was so excited for the video, and the video really brings out the true meaning of the song.”

9. Jerome (Kicker, 2015)

Album opener “Jerome” blends country/western styled guitar licks with bass heavy drum beats that serves as a perfect sample taste of whats to come. This album of songs has many good hooks and different styles.

8. 1965 (Kicker, 2015)

“One of the best albums I’ve heard in a while. Has a retro-folk-pop fusion kind of style that’s unique and certainly won’t disappoint. I’ve listened to this whole album countless times driving to work.”

See more: Zella Day Albums Ranked

7. Compass (Kicker, 2015)

“Day closes out “Kicker” with the sadly hopeful ballad “Compass”, led primarily through a mix of gentle piano, echoed electronic pulses, and a final promise to “love you in the way that you needed love”.

6. Ace of Hearts (Kicker, 2015)

“Kicker” gives its first ballad “Ace of Hearts” by joining fuzzy synths, filtered drums, and sweeping strings. This is beautifully composed, haunting and also very hopeful in a romantic kind of way. You can sense the turbulence, i love the violins , such a great choice to create that whirl of emotions.”

5. High (High, 2015)

“The fact that High was used in the Riverdale trailer is just an inkling of great recognition! Can’t wait till she gets everything great bc she deserves the world, the moon, and so much more.”

See more: Lana Del Rey Albums Ranked

4. Sacrifice (The Divergent Series: Insurgent – Original Motion Picture Soundtrack, 2015)

“This is one of the best songs the sound track, the singer is Zella Day, she has an amazing voice and the song stays in your head. This song brings you closer and it builds you up. This so is amazing. I’m playing Sacrifice all day. Its that good. Zella Day voice is amazing. I like what I’m hearing and I really like Zella.”

3. Sweet Ophelia (Kicker, 2015)

“Sweet Ophelia” mixes an experimental static-filled electronic beat in its verses with a synth-heavy dance-rock chorus alongside an interesting take on the recent trend of trap-inspired hi-hat rolls that sounds more like a series of snaps punctuating each snare hit.”

2. Hypnotic (Kicker, 2015)

“This is so good, her voice is just so amazing and beautiful and sits so well on the track. This was well produced and well written. The message is clear even tho it’s a typical one and the editing and video is so unique.”

1. East of Eden (Kicker, 2015)

“Day’s penchant for mixing electronic and organic elements while lyrically delving into the messier, less G-rated subjects most acts tend to skip over creates an accessible brand of pop that only rarely delves into the generic.”