GTA Albums Ranked

Good Times Ahead (GTA) is an electronic music duo from Miami consisting of house, electro house, trap, and hip hop producers Julio Mejia (born December 8, 1990) and Matt Toth (born August 22, 1990). After releasing music with the support of Laidback Luke in 2011, the duo caught the attention of Diplo, who featured them on his 2012 “Express Yourself” which was written by their cousin Joel Santillan. GTA has released music on labels such as Warner Bros., A-Trak’s Fool’s Gold, Laidback Luke’s MixMash, Steve Angello’s SIZE, Diplo’s Mad Decent, and more. They’ve toured the globe with Rihanna on her 2013 Diamonds World Tour, with Calvin Harris and Tiësto on their Greater Than World Tour, and have headlined their own Death To Genres Tour and Goons Take America Tours. Beyond their partnership as GTA, Julio and Matt have each produced music individually. Under solo aliases known as JWLS and Van Toth, respectively, both have released original productions and remixes. Julio’s individual work as JWLS includes remixes for A-Trak, Danny Brown, and others.[3] Matt’s solo work as Van Toth includes remixes for Gina Turner. In August 2019, they officially changed their group name from the previous GTA acronym to its full-length, Good Times Ahead. Here are all of GTA’s albums ranked.

Reminisce the music of GTA. Click below and enjoy electronic dance music of this amazing group!

2. DTG VOL. 1, 2015

“If you’re looking for a good techno mix for that rave or dance party, then look no further. GTA has done these artists good. It’s almost like you’re in another dimension while listening to these tracks; so if you need a solid techno mix with a lot of groove to it, look no further.”

1. Good Times Ahead, 2016

“Good Times Ahead’s self-titled project was a strange one for me when it initially came out. With their huge back catalog of unreleased bangers that they’d played live, I was expecting at least one or two of these songs to be on the album, but instead we got a collection of well-produced but not particularly interesting pop songs, sometimes with harder drops attached to the very end, and sometimes with a future bass drop in the middle.”