Justice Albums Ranked
Justice is a French electronic music duo consisting of Gaspard Augé and Xavier de Rosnay. The duo’s label is Ed Banger Records, managed by Pedro Winter. Justice is known for incorporating a strong rock influence into their music and image. The band’s debut album Cross was released in June 2007 to critical acclaim. The album was later nominated for a Grammy Award for Best Electronic/Dance Album and came in at number 15 on Pitchfork’s Top 50 Albums of 2007 and number 18 on Blender’s “25 Best Albums of 2007” list. It was nominated for the 2007 Shortlist Prize, losing out to The Reminder by Feist. The band’s remix of the MGMT song “Electric Feel” won the Grammy Award for Best Remixed Recording, Non-Classical in 2009. In September 2009, it was announced that Justice would be moving to WMG/Atlantic’s newly relaunched Elektra Records label. The band reportedly started to work on its second album in mid-2010. The first single entitled “Civilization” was released on 28 March 2011. The band released its second album, Audio, Video, Disco, on 24 October 2011. This was followed by the live album on 7 May 2013, titled Access All Arenas. Justice announced their third album, Woman, through their Facebook page, and it was released on 18 November 2016. Here are all of Justice’s albums ranked.
Click below and enjoy the danceable songs of Justice. Listen as you dance the night away!
6. Woman Worldwide, 2018
“I love how the elect few scramble for these tracks, I feel honoured to be amongst such passionate and devoted fans of Justice. Such weird comfort in knowing that we have this connection through music, and we don’t even know each other.”
5. Access All Arenas, 2013
“Justice proves that they can thrown down a 60+ minute set and not lose their audience for one minute. The cheers from the audience do not impede the songs but rather add to the ambiance. The production quality is superb and sounds great while driving on the highway at night.”
4. A Cross The Universe, 2008
“The music on this what you’d expect of a live House music, different takes on studio recordings and some unreleased stuff. It’s all good. But the real treat of this is the Documentary it comes with. Absolutely outrageous and hilarious. Justice, you crazy diamond.”
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3. Woman, 2016
“Woman begins with one of its best. The first track has a strong beat with a delicious bass line riding on top the whole length. The choir on “Safe and Sound” is chilling and engaging, like a modern day Pink Floyd choir of adults. But where Pink Floyd stood for the end of mass production humanity, what does Justice stand for? Not justice? Perhaps just some sort of general positivity? The lyrics come across as second rate Daft Punk leftovers – “Man up/Hold tight/Driving dark/Head up/Foot down/Speed of sound.” This would be indicative of the general weakness of Justice. The song sounds perfect, not one note out of place, not one effect wasted, but to bring all this energy and lay the choir on top without a message is a wasted opportunity.”
2. Audio, Video, Disco, 2011
“This is one of the most underrated albums I’ve ever seen on this site. Audio Video Disco could be compared to the gritty, do-it-yourself, rock-based style that Daft Punk adopted in Human After All (another severely underrated release), but this time with less excessive repetition and better-constructed melodies and song structures. All tracks here are catchy, the album is the most cohesive of all Justice albums and the synths sound great.”
1. † (Cross), 2007
“Electronic music has been one of those genres that is in constant evolution. Right now, the scope of electronic music is something that comes from all around the world, and it became a phenomenon that found a way to adapt to other genres and styles of music. However, during the late 90’s and early 2000’s, some of the most iconic acts in this area of music came from France. This led to the eventual birth of French House, which characterized itself for the sampling of Funk and Disco music, and most artists were also recognized for being acclaimed producers. But every act had to start somewhere, and the scope of a group could change in order to stand out. An example of that is what happened with the duo Justice, and their debut album Cross, that became a sudden hit back in 2007.”