Stealers Wheel Albums Ranked

Stealers Wheel was a Scottish folk-rock/rock band formed in 1972 in Paisley, Scotland, by former school friends Joe Egan and Gerry Rafferty. Their best-known hit is “Stuck in the Middle with You”. The band broke up in 1975 and re-formed briefly in 2008. After being contacted by iTunes and K-tel in California, Tony Williams briefly re-formed Stealers Wheel in Blackpool in 2008 with Rod Coombes and Paul Pilnick, together with close friend Tony Mitchell. On 10 November 2008, they started filming a music video for a re-recording of “Stuck in the Middle” on the Fylde coast. They also began writing new songs although they had no plans to tour and disbanded again. Here are all of Stealers Wheel albums ranked.

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3. Right Or Wrong (1975)

“This is my Favorite of the Three Stealer’s Wheel albums with Benediction as my Favorite song of there’s. If You like Stealers Wheel You will Love Gerry’s Solo Work as well, and if You can find Joe Egans two solo Record releases they are Good as well. Do Yourself a Favor and Grab up all of these Stealer’s Wheel cd Releases, and sit back and listen to Great Music.”

2. Ferguslie Park (1973)

“Gerry Rafferty came back to the group, three others were dismissed and the Wheel recorded their second big hit Everything Will Turn Out Fine. On the heels of the second hit, the duo of Rafferty and Egan wrote a second LP augmented with session musicians and released this platter in 1973. This record was not as huge a favorite as the first, but very good nonetheless (much like saying that Abbey Road was not quite Sgt Pepper, but still a good record!)”

1. Stealers Wheel (1972)

“Produced by the famous Leiber-Stoller, this album also featured Paul Pilnick (lead guitar), Tony Williams (bass), and Rod Coombes (drums). The standout hit on this album is the pop single-sensation hit “Stuck in the Middle with You,” which was most notably featured in Tarantino’s “Reservoir Dogs.” (Which is how I first heard the song!) All of the songs are penned by Egan and Rafferty, and reflect the sound of the Beatles at times, especially on “Another Meaning.””