Pink Albums Ranked
Alecia Beth Moore (born September 8, 1979), known professionally as Pink (stylized as P!nk), is an American singer, songwriter, actress and dancer. She was originally a member of the girl group Choice. In 1995, LaFace Records saw potential in Pink and offered her a solo recording contract. Her R&B-influenced debut studio album Can’t Take Me Home (2000) was certified double-platinum in the United States and spawned two Billboard Hot 100 top-ten songs: “There You Go” and “Most Girls”. She gained further recognition with the collaborative single “Lady Marmalade” from the Moulin Rouge! soundtrack, which topped many charts worldwide. Refocusing her sound to pop rock with her second studio album Missundaztood (2001), the album sold more than 13 million copies worldwide and yielded the international hit songs “Get the Party Started”, “Don’t Let Me Get Me”, and “Just Like a Pill”. Pink is often regarded as the “Pop Royalty” for her distinctive raspy voice and acrobatic stage presence, Pink has sold over 135 million records worldwide (60 million albums and 75 million singles), making her one of the world’s best-selling music artists. Her accolades include three Grammy Awards, two Brit Awards, a Daytime Emmy Award and seven MTV Video Music Awards, including the Michael Jackson Video Vanguard Award. In 2009, Billboard named Pink the Pop Songs Artist of the Decade. Pink was also the second most-played female solo artist in the United Kingdom during the 2000s decade, behind only Madonna. VH1 ranked her at number ten on their list of the 100 Greatest Women in Music, while Billboard awarded her the Woman of the Year award in 2013. At the 63rd annual BMI Pop Awards, she received the BMI President’s Award for “her outstanding achievement in songwriting and global impact on pop culture and the entertainment industry.” Here are all of Pink albums ranked.
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9. Greatest Hits… So Far!!
“This album proves what an underrated hit maker Pink is. We are talking about close to a decade’s worth of work here. She has out lasted her contemporaries and you know what,she aint even done yet!”
8. Try This
“This was like a ‘coming-of-age’ album from Pink! There’s still the underlying angry energy, but there’s also a move into more considered, varied tracks. It’s also a shift from ‘dance’ into a more ‘rock’ style – for which some seem to criticize her – but to me it makes her work more interesting (and it’s hardly heavy metal!).”
7. Beautiful Trauma
“When you listen to the songs of this album, you really get the feeling that this is music for grown-ups who like pop. But you also get the feeling that Pink hasn’t become completely boring like Adele or Celine. That’s good for her as Madonna hasn’t really managed to age gracefully.”
6. Can’t Take Me Home
“I love this album. Every song I love. I love the fact that LaFace records gave Pink a chance to come out and help her venture to were she is now. She stated in the her second album “Missunderztood” song “Don’t Let Me Get Me”, “LA told me/you can be a pop star/all you have to change/is everything you are”, considering that LaFace signed her in the first place means they were will to accept her for who she is.”
5. Hurts 2B Human
“When it comes to P!nk, I really enjoy her ballad songs, which is something that Beautiful Trauma had plenty of, which is why it was nice to hear more pop sounding songs, even if they some of the songs here do come off very generic”
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4. Missundaztood
“Though far from a masterpiece, Pink’s second disc is definitely a benchmark of quality that other pop albums should aspire to. Almost entirely co-written by Pink, and ranging stylistically from sensitive ballads to raucous dance-floor hits, _M!ssundaztood_ rarely misses its mark and has a lot of fun along the way. Between the generous heaping personal singer-songwriter flare and the none-too-sparse rock and roll moments, it would seem that Pink has transcended her role as Lady Marmalade guilty pleasure to become more than just brash banter or banal bubblegum.”
3. Funhouse
“As usual, Pink mixes a strategy of “what you see is what you get” and deeply personal lyrics in her music. How this ends up will depend on what you think of her, with the most general opinion probably being that she has too much talent for a relatively immature image (see: the album cover, So What) and predictability. Pink works with her usual repertoire of producers including Butch Walker and Max Martin to serve the public her trademark brand of pop rock.”
2. The Truth About Love
“The album excels when she takes it down a notch, on introspective, mature songs such as “Try”, “Beam Me Up”, “The Great Escape”, “Just Give Me a Reason” and the clever title track. And… even though I hated it the first time I heard it, “Slut Like You” has grown on me and it definitely a standout.”
1. I’m Not Dead
“I feel like this is Pink’s first album as an adult, even though she was around 26 and 27 when she recorded it. She dropped her bratty “I’m better than you because I’m edgy! Look at my hair!” act, and the songs this time are a lot more personal. Even though she had other personal moments before, these ones allow her to fully (power pop) rock out, which I think she prefers more than her earlier R&B or lighter pop rock moments.”
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